(Source: tortured-in-entirety)
The Fury Road Armada, stills by John Platt
Source: johnplatt.com.au
Samurai Jack S5 backgrounds painted by Scott Wills
Source: animationbgs.blogspot.com
Against the power of The Machine, there can be no victory
(Source: gypsy616danger)
(Source: thefrenchkissconnection)
When your ride or die is doing the closing shifts on the weekend so you have nothing to do but make a music video
Furiosa looking at Toast and Joe / Furiosa looking at Max
These pairs of shots are only a couple of minutes of screen time apart. The first is right after she gets stabbed and the second is about two minutes later.
It’s not just that she’s all defiance and badassery in front of Joe and can show pain and fear and vulnerability when she’s looking at Max. It’s that in two minutes, her condition has gotten noticeably worse, we can see it, and we’re just as scared for her as Max is.
The moment where it always hits me is when she pulls the knife out of her side and her hand is shaking. This is a woman who can hold a rifle shot steady while balancing on the dash of a moving truck. It’s a tiny thing that only we see, the kind of thing she might hide from everyone around her, but it tells us that this injury is serious.
“I’ve been in movies where I’ve gotten shot three times and I continue to act, just stumbling through moments. I love that in this high-octane action world, I get stabbed once, and 20 minutes later, I’m almost dying from it, which is real, completely real.” - Charlize Theron (x)
h/t bassfanimation for prompting me to find this shot comparison
(via searchlytes)
Mad Max: Fury Road
I love how Max and Furiosa’s relationship changes throughout the film. From curiosity, to adversarial by circumstance, to allies by circumstance, to genuine brothers-in-arms that care deeply about one another. And all those beats are done wordlessly, with the two of them just interacting with their eyes. This is the biggest reason I love this movie.
(via searchlytes)
(Source: latrotamundosuniverse)
Polychrome ceramic vase depicting Tlaloc, god of rain (height 35 cm), from the Templo Mayor (Main Temple) of Tenochtitlan, Aztec civilization, Mexico, 15th century* (via)
Actress Mana Ashida (who played young Mako) had trouble pronouncing Guillermo Del Toro’s name. He gave her permission to cal him Totoro-san after the character from “My Neighbor Totoro.” (x)
Pacific Rim (2013)
Name: Alessandro Baldasseroni
Country: United States, Los Angeles
Art Station: https://www.artstation.com/artist/baldasseroni